咫尺重深-广州惠琪公司办公室设计

地点：广州市东风东路锦城大厦

面积：350平方

设计：刘文治

主要材料：烤漆板，木皮，地砖，爵士白大理石，布料

这是一个面积很小的办公室。该格局基于风水的考虑，经理室接近入口处，，而会议室却在空间底端。 如此现状，怎么通过设计，使得空间变大？大与小，长与短，浅与深，奇与正。。。。。这种矛盾的统一，在中国传统美学中，也叫对仗，也是中国美学和中国古典园林操作的主要机制。 所以为了做出更大的空间，须由更小的尺度来诱导，同时分解其整体性，借由“势”的发生，强调细节上的设计，带来行为的引导和空间层次的建构，从而实现，使人能够通过各种感知，动或静，停或行，望或居，达到一种全新的感受。 我希望在两种不同“物”的元素中，能够彼此呼应，从而在空间的迷失中获得时间的存在。

In inches likes in miles - Office Design of Guangzhou Huiqi Company Address: Jin cheng Mansion, Dongfen east road, Guangzhou Area: 350sqm Main source: stoving varnish board, veneer, floor tile, volakas white marble, cloth The area of this office is not big. The manager's office is close to entrance and the meeting room is in the innermost of the space. This struture is built based on Chinses geomancy. How to make space largen by design in such situation? Big and small, long and short, shallow and deep, odd and normal, ect. The unification of these contradictions is called antithesis in Chinese traditional antithesis. It's primary mechanisms of operation for Chinese antithesis and classical garden. Hence, making bigger space need to be guided by smaller measure. In the meantime, disassembling the whole, stressing the details on design by happening of potential, which can guide action and construct space level. Thus realize that people can get brand new feel by all kinds of perception, such as movement and standstill, walk and stop, ect. I hope that these two different kinds of factors can act in concert with each other to obtain existence from spatial lost.